SUCKER PUNCH... my interpretation

Okay so first of all I should warn you that there are SPOILERS BELOW, so if you don't want to be spoiled don't read this blog post.



Last night I went to see Sucker Punch (directed by Zack Snyder) and honestly after I came out of the cinema I wasn't sure what I was supposed to think. It was such a saturated experience of visuals and sound -- so many awesome action scenes and short skirts, boobs and fake eyelashes, coupled with war zones and fucking dragons, yet I couldn't help but feel there was an underlying message under all the flashiness.

I thought that it might have been an extended metaphor for something. So... here's my interpretation and review of sorts.

Firstly I have to say that I loved the first scene -- it was wonderfully dark and incredibly powerful with just the music. I also found the cinematography to be perfect; basically the technical side of film was really impeccable in this opening scene. Another scene I really loved was the robot scene on the train. The 3d animation... omgggg I don't even want to imagine how much time it took to make it perfect. It looked so damn sexy.

I thought the film had underlying themes of sexual violence and feminism, but it laid them out in a very metaphorical way, which I found a nice change from the didactic nature of many other films when covering such topics. The fact that all the leads were women (with the exception of Blue), reminded me of Lady Gaga's Telephone music video (where she gave women traditional men's roles in the prison -- note there are NO MEN in that jail; it was a feminist statement) but in this movie it was obvious that women were not in power. Even Dr. Gorski, who represents the authoritative woman, does not have any power under Blue -- by sexual violence or otherwise, the men hold all the power in this film. This is why in Baby Doll's scenarios in her head when music is played it is women who have all the power. Even if women feel like they have power, in reality it is reversed.

I believe that Dr. Gorski (I suspect the character was named after TERENCE GORSKI, the mental health doctor... website at http://www.tgorski.com/) playing the music for Baby Doll in the beginning is her trying to teach her girls to disassociate themselves from reality -- when reality is so cruel (I assumed that rape etc. happened in the mental institute storyline -- if not then definitely in the 'club' storyline). By creating a reality where they can control everything, it is the complete flipside of what reality is like. So, in the following scenes where BD is dancing, it could either be interpreted that she is engaging in sex with the men against her will in real life (the mental institute) or that she is simply trying to escape the mental institute by herself (it is said that by herself she stabbed an orderly, helped another person escape, started a fire etc) while believing in her own mind that she is in power. I don't think this is clear.

It is obvious however that Blue abused her sexually -- but Blue's character is also one of a broken man who just wants to be loved in return. He says something along the lines of "things are not meant to be this way" when Baby Doll doesn't kiss him back at the end after being lobotomized. From BD's perspective she would rather forget and lose herself, forget everything that has happened to her and in effect 'die' (although not physically dead), than continue living her life. We question whether this can be considered a form of suicide. As Sweet Pea said in the beginning when she first appears, being a vegetable is sick and doesn't turn anyone on. Interestingly Blue's reaction to Baby Doll's state at the end of the film backs this up. Perhaps Baby Doll in a way is trying to rid herself of her sexual allure -- she does not want to be abused sexually anymore.

I also believe that it is significant how Vanessa Hudgen's character is called 'Blondie' when she has dark hair -- for me it represents how men expect women to change according to their ideal view of beauty, not what is naturally there. Maybe the significance of her death is that because she was not as Blue (representative of men in general) wanted her to be, she was considered worthless.

Furthermore, Sweet Pea does not exist. She is a character that, for Baby Doll, represents herself -- this is why in the beginning when she is about to be lobotomized she suddenly turns into SP in the 'club' storyline. Likewise, Rocket represents BD's sister -- when in the train she promises her everything will be okay before Rocket dies, it's the same as in the first scene where BD comforts her sister right before she is killed by their stepfather. We see BD and SP scream in the same way in these two scenes, creating an obvious parallel. Also, in a previous scene where Rocket says, "We're already dead"... she is literally indeed already dead. BD created Rocket from the memories of her already deceased sister. In BD's head, she wants a reality where she and her sister ran away from home and their oppressive stepfather together. However, reality proves to be too strong; the significance of the finality of death is portrayed by Rocket's death.

When SP is 'freed' from the club, it represents BD letting go of who she is when she is being lobotomized -- she escapes to 'Paradise'. This is why 'Paradise' is mentioned so often in the film. It's pretty obvious that the random helpful wise old man does not exist in reality, giving the audience hints that SP doesn't exist. SP is going home and Rocket told her to "tell mom I love her" -- BD's mother is already dead, so she has to also 'die' to meet her. Also note how she did not say anything about the father. This is both to do with the cruel stepfather as well as another device for the feminism in this film.

I thought Emily Browning was quite a good fit for Baby Doll. She has that delicate vibe about her, like a porcelain doll. In the beginning she showed so much emotion, but then as the movie goes on she shows less and less, illustrating how dissociating herself from the terrible things going on around her made her like an empty shell, stuck in her own mind. She actually reminded me a lot of Alice in Wonderland. Maybe it was just the hair.

I have no idea what Amber is supposed to represent or why she had to die, she's probably just there to look hot. Or, she served a similar purpose to Blondie. As well as this I feel like most of these ideas got lost in translation due to the sheer awesomeness of the visuals -- it was indeed trying to combine a lot of previously successful movies. It was quite different from what I expected it would be like from the trailer -- a lot better than I expected actually.

That's probably why I came out of the cinema slightly confused, not sure if it was a genius metaphor or just trying too hard... even now I'm not sure, but I think it might be a bit of both. Nonetheless, I quite enjoyed the film. I'm still trying to figure out why it's called 'Sucker Punch' though.